Friday, October 11, 2019

An ode to Shahenshah of Bollywood


Today Amitji turned 77 years.  As I was driving back home, I heard songs of Amitabh Bachan being played and interspersed with tidbits about his film life. I was suddenly being transported in my mind to different movies of his and recollection of different scenes of his movies and in no particular order.
I though why not write a poem in Hindi piecing together his dialogues and his movies names. I realized, I am no good in writing Hindi poems and only good in appreciating Kader khan and Salim Javed dialogues.

What to do ?  I had a strong urge to write something about the shahenshah.  Why not write in Hinglish where I can express both in Hindi and English. ( Pardon me Bhaiyon or  Bahono)

My earlier recollection of his movie was Sholay in 1975. I was in High school at that time only Gabbar role  was discussed in the entire country for years together. Amitabh role was a silent one. Years later when I have seen it many times, I realized his role was a stoic look at the entire world and he always had his way through the tossing  coin having two heads on both sides. He simply brought humor with a silent face and always remained cool as a cucumber.

Deewar was the path breaking movie of his and he single handedly brought the entire country’s pent up anger at the prevailing system in the society and exploded as an angry young man.  His dialogue of    phenke huye paisa ko , may nahin utathahu”  . Mer pass gaadi hai, bungalow hai , bank balance hai  which was vanquished  by  Mere pass Maa hai dialogue by Shashi Kapoor was the dialogue to be remembered for eternity.  This dialogue reveals us that crime does not pay in the long run.

I remember watching Muqaddar ka Sikander on the day I finished my 1st PUC exams in 1979.  It was in Santhosh  theatre.  I still remember the entry scene .  They show him stepping out of car. They first show his boots and pant all white and then slowly the entire Amitabh bachan is shown filling up the entire screen and then onwards it is only Amitabh Bachan all the way and no one else mattered. The majaa of watching in single screen big theaters after standing in long queues was a different experience.  We cannot book such experiences now by booking tickets in book my show. All multiplexes  look clinically the same with the same taste of Pop corn and Nachos.

Kader khan dialogue in Muqaddar Ka Sikander  to Amitabh  in khabarasthan when his mother dies “ Dukh ko gale lagavo, duniya  tere kadmo me hongi”  Tu ek din Sikander banegaa.”  Struck a chord in all our hearts.  Amitabh singing on the bike “  Zindagi tho bewafaa hai, ek din tukrayegi , mar ke jine ki ada tho duniya ko siklana hai” was  a philosophical statement on life that life is a zero  sum game.

 In another scene, Amitabh is shooting Vinod Khanna and suddenly he realizes it is a dream  and he is standing in front of a glass door.  To convince himself, he touches the glass door.  This is a paisa vassul scene.  The intensity, the feelings of his losing his love to another one comes out very poignantly.  In every movie of his, there will be one or two paisa vassul scenes.  We do not mind seeing the movie repeatedly for such scenes.

Chupke chupke movie  really  brought out the comedian in Amitabh Bacchan . He being a simple English literature lecturer masquerading as a botany professor was a laugh riot.

Amar  Akbar  Anthony was a movie  that put lot of efforts on projecting a secular India.  It had its usual fare  of  brothers separated in childhood and they all meeting up on a common thread of a song or an old building or some talisman or some torn letters preserved for more than thirty years. I am going out of syllabus, coming back to Amitabh” role in Amar Akbar Anthony where he sells daaru, does comedy scenes and also  packs lot of punch in his fights. In the entire movie, he keeps telling one liner comedy  dialogues which is very hilarios.  Sample this-  one thief running and stumbling in front of him “  Yeh police ka case hai yah Olympic ka race hai”

There were many more movies of his, showing him as an angry young man like Trishul, Don, Agneepath, etc.

My alltime favorite is Agneepath where Amitabh is  Vijay  Deenanath Chouhan.  In this movie the young Amitabh is pulling on a cart his father’s death body and no one in the village helps him and  we can see anger germinating in the eyes of this young lad  and  this  seething anger is  carried forward in the entire movie.  We can see embers of fire burning slowly inside Vijay’s heart.  An underlying current of anger can be felt in Vijay ‘s every frame in the movie. Many people did not like his voice change in this movie. But I felt the change in voice  added to express the anger forcefully.
This was the movie for which Amitabh got National Filmfare award.

There are many heroes and stars in Bollywood but there is one and only one Shahenshah of Bollywood.

Amitabh tells that whenever he faces a camera, he is tensed and want’s to do justice to the role. Every time he faces the camera, he thinks, he is facing it for the first time.  That may be one of the reasons for his success. There may be an underlying lesson for all of us to face every situation with a white belt so that we can give out our best.

I can keep  going on and on but I have to end now and post it today only since it is Amitabh’s birthday.
Amitably yours
Padmanabh